These fears are reflected in the hyperbolic “Megacities” video.As the film unfolds, we’re bombarded with an apocalyptic list of ills endemic to this new urban environment: “criminal networks,” “substandard infrastructure,” “religious and ethnic tensions,” “impoverishment, slums,” “open landfills, over-burdened sewers,” and a “growing mass of unemployed.” The list, as long as it is grim, accompanies photos of garbage-choked streets, masked rock throwers, and riot cops battling protesters in the developing world. “Growth will magnify the increasing separation between rich and poor,” the narrator warns as the scene shifts to New York City. Looking down from a high vantage point on Third Avenue, we’re left to ponder if the Army will one day find itself defending the lunchtime crowd dining on $57 “NY Cut Sirloin” steaks at (the plainly visible) Smith and Wollensky.Lacking opening and closing credits, the provenance of “Megacities” was initially unclear, with SOCOM claiming the video was produced by JSOU, before indicating it was actually created by the Army. “It was made for an internal military audience to illuminate the challenges of operating in megacity environments,” Army spokesperson William Layer told The Intercept in an email. “The video was privately produced pro-bono in spring of 2014 based on ‘Megacities and the United States Army.’… The producer of the film wishes to remain anonymous.”
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