The first half of National Bird is the stories of three participants in the U.S. military’s drone murder program, as told by them. And then, just as you’re starting to think you’ll have to write that old familiar review that praises how well the stories of the victims among the aggressors were told but asks in exasperation whether any of the victims of the actual missiles have any stories, National Bird expands to include just what is so often missing, and even to combine the two narratives in a powerful way.Heather Linebaugh wanted to protect people, benefit the world, travel, see the world, and use super cool technology. Apparently our society did not explain to her in time what it means to join the military. Now she suffers guilt, anxiety, moral injury, PTSD, sleep disorder, despair, and a sense of responsibility to speak out on behalf of friends, other veterans, who have killed themselves or become too alcoholic to speak for themselves. Linebaugh helped murder people with missiles from drones, and watched them die, and identified body parts or watched loved ones gather up body parts.Even while still in the Air Force, Linebaugh was on a suicide watch list and had a psychologist recommend moving her to a different sort of job, but the Air Force refused. She has episodes. She sees things. She hears things. But she’s forbidden to discuss her work with friends or even with a therapist who doesn’t have the proper “security clearance.”

Source: David Swanson | The U.S. National Bird Is Now a Drone | Rise Up Times